http://www.martinemathijsen.nl/
Thursday, March 25, 2010
Vue
fuseproject.com
Yves Béhar of San Francisco design studio fuseproject has collaborated with Japanese fashion designer Issey Miyake to design a watch where the hour markers fade in and out of view.
Called Vue, the watch has black dot on its opaque rotating face, which contains transparent slits to reveal the numbers underneath as it passes over them.
Wednesday, March 24, 2010
Sunday, March 21, 2010
Saturday, March 20, 2010
ESOPUS
Esopus is published biannually in New York, NY. Named after a tributary of the Hudson River, Esopus (and the Esopus Foundation) is a labor of love run almost entirely by Tod Lippy. Each issue is full of interesting articles, design, and material.
Saturday, March 13, 2010
我想要變作一張白紙，把你的痕跡擦掉。
有時候我希望自己可以不愛你了 可以背叛你
可以藉由這樣的方式保護自己 讓自己不再感到失望
有時候我覺得我把整個自己都送給你了
所以我常常想像自己與你分開
但是醒過來的時候 卻發現自己離不開你
可以藉由這樣的方式保護自己 讓自己不再感到失望
有時候我覺得我把整個自己都送給你了
所以我常常想像自己與你分開
但是醒過來的時候 卻發現自己離不開你
你不經意的拖延，引起這邊的搔首踟躕。
等約會、等電話、等你靠近、等與你的時間碰面。
Roland Barthes說，戀人註定的角色便是──等待的一方。讓自己圍著別的什麼事忙碌，故意遲到，但是這種遊戲總是輸，不管幹什麼，還是在老地方，什麼事也沒幹，十分準時，甚至提前。
今天我感到失落，因為我確實是上述那些的第一人稱──是我。我或許還不懂事，但我有可能誤解了一點，我愛你比你愛我多。告訴我不是這樣。
你說你不想傷害我，卻還是不小心傷了我。你的心還是排在嘴巴後面，你的情緒在理性後面。
我不知道自己是否準備好不等了。
Roland Barthes說，戀人註定的角色便是──等待的一方。讓自己圍著別的什麼事忙碌，故意遲到，但是這種遊戲總是輸，不管幹什麼，還是在老地方，什麼事也沒幹，十分準時，甚至提前。
今天我感到失落，因為我確實是上述那些的第一人稱──是我。我或許還不懂事，但我有可能誤解了一點，我愛你比你愛我多。告訴我不是這樣。
你說你不想傷害我，卻還是不小心傷了我。你的心還是排在嘴巴後面，你的情緒在理性後面。
我不知道自己是否準備好不等了。
Friday, March 12, 2010
Wednesday, March 10, 2010
風來了 / 雲少了 / 你走了 / 我住在雨裡面。
你讓我的懂事 變成一種幼稚
你讓我的驕傲 覺得很無知
你讓我的朋友 關心我的生活
你讓我的軟弱 陪伴你的自由
離開我 你會不會好一點
離開你 什麼事都難一點
車來了 坐上你的明天 車走了 我還站在路邊
+盧學叡-離開我
你讓我的驕傲 覺得很無知
你讓我的朋友 關心我的生活
你讓我的軟弱 陪伴你的自由
離開我 你會不會好一點
離開你 什麼事都難一點
車來了 坐上你的明天 車走了 我還站在路邊
+盧學叡-離開我
Tuesday, March 9, 2010
Sunday, March 7, 2010
ECHTILE EXHIBITION
Japanese designer Nosigner created the space for an exhibition called Techtile at the University of Tokyo last November.TECHTILE exhibition mainly staged by 2 researchers of the university, Yasuaki Kakehi, Masashi Nakatani and nosigner. The exhibition focuses at integration of tactile design & latest tactile technology. Nosigner designed visual identities & space design.
Her is what Nosigner has to say:
I was wondering about the primordial tactile experience
before I designed the space.
And finally, I realized the thermal sensing like touching ice
is one of the most primitive tactile experience.
In this exhibition design, I tried to make the space
where recall the memory of tactual sensation of ice.
‘Tacticicle’ is the trial to make huge icicle made from food wrap film.
Huge icicle tubes are made from food wrap film more than 10000m.
Her is what Nosigner has to say:
I was wondering about the primordial tactile experience
before I designed the space.
And finally, I realized the thermal sensing like touching ice
is one of the most primitive tactile experience.
In this exhibition design, I tried to make the space
where recall the memory of tactual sensation of ice.
‘Tacticicle’ is the trial to make huge icicle made from food wrap film.
Huge icicle tubes are made from food wrap film more than 10000m.
This was my first experience in spatial design. It may not have been the most sophisticateddesign, but it was completed with an extremely low cost. I really appreciate the ‘Silver’ award,because I can aim higher next time.
此乃我首個空間創作,在資源緊絀的情況下,去完成這個項目可能不盡完美。有幸在是次比賽中榮獲銀獎,令我展望將來的設計能更進一步。
This solution for an exhibition held at the University of Tokyo, is exemplary of the positive effects that constraints can have upon the creative process. The TECHTILE exhibition is an applied exhibition focused on the integration of tactile design and the latest tactile technologies. Dictated by an extremely low budget, the exhibition’s design sought pertinence through the use of cheap, quotidian material. Responding to the exhibition’s thematic trajectory, cellophane and aluminum foil – unlikely as they seem – have been adopted to form the foundations of a new architectural material. Comprising over 10,000-metres of wrapping fi lms, the exhibition fl oor is characterised by fi ve icicle cylinders. This so-called icicle texture is achieved through the heavy compression of 16 layers of plastic and aluminum fi lm. The resultant material serves a range of versatile functions within the exhibition, from lighting to signage, but more persuasively, provides a pensive overview of the event’sconceptual concerns.
此展覽於東京大學舉行,充份表現在創作的過程中,資源限制所帶來的正面成效。TECHTILE 是一個應用展覽,結合了觸覺設計及嶄新的觸覺技術。在預算有限的情況下,設計使用了便宜、平凡的物料,務求恰當切題。看似不大可行的玻璃紙和錫紙設計,回應了展覽的主題,成為全新建築元素。展覽場地使用了超過一萬米的保鮮紙,當中以五個冰柱最為觸目,這所謂的「冰柱」,其實是大規模地壓縮了十六層保鮮紙和錫紙構成。製成品在展覽中發揮多個用途,由照明及至標示等;但最令人佩服的,還是營造了展覽的淒美氣氛。
About nosigner
The word ‘design’ originates from the Latin word ‘designare’ meaning de-sign. On the other hand, ‘nosign’means no-sign which has no signature on it. Nosigner is somebody who designs invisible things without an explicit signature.
「設計」(design) 一詞源於拉丁文 ‘designare’,意指記號。另一方 面,nosign 就是沒有記號。而「不留 名的設計者」(nosigner) 就是一些設 計物件後不留印記的設計師。
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