Her is what Nosigner has to say:
I was wondering about the primordial tactile experience
before I designed the space.
And finally, I realized the thermal sensing like touching ice
is one of the most primitive tactile experience.
In this exhibition design, I tried to make the space
where recall the memory of tactual sensation of ice.
‘Tacticicle’ is the trial to make huge icicle made from food wrap film.
Huge icicle tubes are made from food wrap film more than 10000m.
This was my first experience in spatial design. It may not have been the most sophisticateddesign, but it was completed with an extremely low cost. I really appreciate the ‘Silver’ award,because I can aim higher next time.
此乃我首個空間創作,在資源緊絀的情況下,去完成這個項目可能不盡完美。有幸在是次比賽中榮獲銀獎,令我展望將來的設計能更進一步。
This solution for an exhibition held at the University of Tokyo, is exemplary of the positive effects that constraints can have upon the creative process. The TECHTILE exhibition is an applied exhibition focused on the integration of tactile design and the latest tactile technologies. Dictated by an extremely low budget, the exhibition’s design sought pertinence through the use of cheap, quotidian material. Responding to the exhibition’s thematic trajectory, cellophane and aluminum foil – unlikely as they seem – have been adopted to form the foundations of a new architectural material. Comprising over 10,000-metres of wrapping fi lms, the exhibition fl oor is characterised by fi ve icicle cylinders. This so-called icicle texture is achieved through the heavy compression of 16 layers of plastic and aluminum fi lm. The resultant material serves a range of versatile functions within the exhibition, from lighting to signage, but more persuasively, provides a pensive overview of the event’sconceptual concerns.
此展覽於東京大學舉行,充份表現在創作的過程中,資源限制所帶來的正面成效。TECHTILE 是一個應用展覽,結合了觸覺設計及嶄新的觸覺技術。在預算有限的情況下,設計使用了便宜、平凡的物料,務求恰當切題。看似不大可行的玻璃紙和錫紙設計,回應了展覽的主題,成為全新建築元素。展覽場地使用了超過一萬米的保鮮紙,當中以五個冰柱最為觸目,這所謂的「冰柱」,其實是大規模地壓縮了十六層保鮮紙和錫紙構成。製成品在展覽中發揮多個用途,由照明及至標示等;但最令人佩服的,還是營造了展覽的淒美氣氛。
About nosigner
The word ‘design’ originates from the Latin word ‘designare’ meaning de-sign. On the other hand, ‘nosign’means no-sign which has no signature on it. Nosigner is somebody who designs invisible things without an explicit signature.
「設計」(design) 一詞源於拉丁文 ‘designare’,意指記號。另一方 面,nosign 就是沒有記號。而「不留 名的設計者」(nosigner) 就是一些設 計物件後不留印記的設計師。
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